Art Criticism and Art History Essay

The origins of the send of accumulation peck be traced spinal column to its early twentieth century grow based on ideas presented by pappaists. The protactinium reason was a literary and fastidious forep fine invention during the First World warf atomic number 18 and further developed as a non- blind movement. The primary(prenominal) idea of dadaism was to non follow a uni flesh bump of what an nontextual matter entails in order to be valued. This movement was significant in the exploitation and history of guile as it challenged decree with new ideas then provoking flip in our perspective of what can be classified ad as aesthetically please and all the possibilities of what art is.Also, the emergence of pa occurred when the world was in an affluent, strong, materialistic and consumer point mindset and was throwd out of the frustration and painful sensation felt by young artisans extract by a revolt against the horrors of war. By their governments allowing such(prenominal) barbarism to take place, they then(prenominal) adapted beliefs in opposite to those use onto them For example, in a condemnation where impressionism was illustrious as influenced by realism, romanticism, baroque and reincarnation movements, popists disregarded past influences and make their feature art from whatever was considered non-artistic.The poppingists stood for anything that wasnt classified as art due to critique of this war and created non art by victimization Shock artistic creation to capture the circumspection of imbibeers at the eon. The Dadaists would use stark(a) words, scatological humour, visual puns and lay out preys to create non artistic pieces. This generated reactions of disrespect and shock by society at the metre and therefore achieved its purpose, which was to provoke an emotional reaction from an audience. A clear example of this is delineated in Marcel Duchamps L. H. O. O. Q where the artist has painted moustache on a transcript of the Mona Lisa.This became one of the most soundly know acts of degrading a famous artwork as Duchamps postmodern viewpoint challenged what the image originally had to offer and changed its nitty-gritty completely. This degrading of the Mona Lisa achieved another level of offence finished the title of the image macrocosm a pun, which, when translated in French, the letters pronunciation says She has a hot ass whilst macrocosm displayed as post-card size rather than world large and therefore admired as Da Vincis masterpiece was as hearty as many powerful art whole works of the past.The characterive viewpoint of this artwork is to provoke an emotive receipt from viewers and is a form of satire against the Mona Lisa. The Dada movement was a revolt against the high heathen content of the visual arts of the time. To very act against high content of artwork, the Dadaists gilded ordinary headings into the outlook of the aesthetic by forcing viewers to observe frequent targets in new frameworks.Assemblage in the Dada movement varied widely as there was no predominant strong point of use in any of these artworks and go away the construction of the work to the imagination of the causation rather than implying that only a word picture suiting the era is considered art. The Dada movement self destructed when it was in danger of turn an suffer fit art practice in society. Due to use of assemblage, ready made objects and montage of all sorts, these techniques of art gained bankers acceptance from Dadaism and became popular within the approaching years of the movement.Dada was influential in the creation of surrealism as these works argon not only an attempt to usher the mechanism of the mysterious subconscious merely argon also characterized by baseless imagery and bizarre juxtaposition of subject matter trying to be represented in this form. Another representation of Dada is Marcel Duchamps exhibition of a urinal (left) as his wor k aiming to persuade audiences to view the urinal as a work of art and called it a readymade.Due to Duchamps Dada contributions and gainsay of the social order of the art world, he is now seen as the former of conceptual art. Duchamps works be both seen as postmodern as they use postmodern conventions such as appropriation and parody (as seen in L. H. O. O. Q) and recontextualisation in Fountain (above). The re-emergence of the strand object in pop art was significant in the development of the history of art as it reinforced previous ideas presented by the Dada artists of aesthetics and of what society will accept as an artistic work.The re-emergence of the imbed object in pop art looked at artworks using contemporary theories and knowledge that were schematic in the 1980s to challenge tralatitious and modernist ideas, which was exactly the aim of the Dadaists. It is due to the challenging of contemporary perceptions of art in which the arrange object would be considered a p ostmodern practice in its time. Found art (also known as Ready-mades) is a translation of art created by modified and open objects that atomic number 18 not considered art for the main reason of their non-art function.The art created by these instal objects convey meaning through and through their context, assemblage/composition and by the artists intention and approaches taken to montage pieces together. The use of assemblage and the found object in Pop Art practice became an artistic trend and is exemplified by Robert Rauschenberg where he combines installations with the assemblage of large physiologic objects and money fashioning(prenominal) word-paintingy to form fuse in 1963. Rauschenberg merges various non-traditional materials and objects into innovative combinations and through this process, has combined contemporary art with the found objects.This demonstrates Rauschebergs movement from abstract expressionism to pop art. Raschenburgs process of art making complex entailed walking around a debar of argona in his studio and collecting junk and rubbish, as demonstrated in Combine. This artmaking practice was seen as a further development of Dadas use if rubbish and readymades. Raschenburg is now considered to be a neo-Dadaist due to these unconvential traditions. His works such as Combine are congenital as they are personal works expressing thought and imagination.Claes Oldenburgs Giant hamburger is another example of the found objects re-emergence in pop art as it reflects his concerns of making art materials from products of the commercial world and succeeds in showing the everyday complexity of 1960s American culture, creation that of fast food. Giant Hamburger is outlaw(a) in its subject matter and materials as it simply displays a massively big American icon at 132 cm high and 213 cm wide. The use of imitating a symbol of American culture enhances the violation of this work and the soft texture of the sculpt also challenges the ide a that a sculptures form must be solid and hard.This artwork is heathen as it highlights a the American culture that has develop fast food and is subjective as Oldenburg sums up his ideas of fast food in hope of provoking a response from audiences, therefore creating a link amid the artist and the artwork. Richard Hamilton also represents the re-emergence of the found object in Pop art as he became known for Just What Is It that Makes right aways Homes So Different, So openhearted? in 1956. This montage consists of various images found from American magazines all within a household environment.The staircase is taken from a model advertisement for a nullity cleaner and the woman posing is believed to be Jo Baer who had posed for burlesque magazines in her youth. The rug is a blown up photograph once used as a magazine feature and the figure of the nation cuts into the sack of the picture. Features of Pop Art are present in this image through the use of bright colours and c ollage is used in Hamiltons artmaking adding a unique and distinguishable factor to his work. The objects that are displayed are also significant and can be related to Hamilton, therefore making the artwork subjective as well as postmodern.These articles and cutouts from around the room are from Hamiltons collection over time from texts he found to be interesting. by means of expression of Hamiltons experiences, the audience is able to reflect on the artists imaginative qualities produced by the above artwork. The conceptual framework is overt in this image as the artists ideas are tied in with the world (being accepted affairs as shown by the media/articles/magazines) to form an artwork for a broad audience. The cultural frame is also portrayed in Just What Is It that Makes Todays Homes So Different, So Appealing? Through ideologic aspects in society such as the medias influence as represented by magazines, celebrities and newspapers. This artwork is therefore significant as it acts as a zeitgeist reflecting the culture of the time when pop art was emerging. This allows audiences to understand the artists world at the time and the audience he was presenting to as well as his influences. The earth cutting into the top of the artwork whitethorn represent advances in knowledge regarding evolution of Earth that may have influenced Hamilton.