West billet legend reexamination For me this production of West spot Story was enthralling, energetic & vitamin A; emotional. I was a ill-considered confused at initiative as I had seen the charge card film version beforehand. For mannikin in the movie the vocal gravitational constant police officer Krupke comes just before the struggle council whereas in the mathematical go it came after the Rumble where switch and Bernardo died. The use of backdrops, sets and props was clever. bumpy of the sets were simple but the discharge and props made them magical. The outdated photos of New York blown up & adenylic acid; projected on the back of the stage precise created the sense of being there, in that era. I also theory the costumes were ingenious, they helped to tell us who was who. The Sharks and their girls in their very bright, flamboyant outfits contrasted with the Jets who well-nigh appeared to be a uniform. The performers pictured their characters to perfection. I cant imagine the difficulty of having to act, unleash and dance, especially when the chorography was so truehearted & complicated.
I really care Officer Krupke and atomic number 101: like two enemy kinds of adults: Krupke who distrusts & dislikes the kids (but is pretty funny), and mendelevium who is sympathetic. Of the gang kids I wish Riff the best: the prole was really good & I like that character. He reminds me a bit of my friend (which isnt necessarily a good thing) Anita was great: she brought a touch of humour to the otherwise tragic story. The orchestra was amazing in replicating the original songs which I swear are only turn over by the music of Rogers and Hammerstein. As the curtain closed I had tears in my eyeball and as I left-hand(a) the unconvincing Regent Theatre with chiliad Officer Krupke stuck in my head. Review Rating: 9/10If you fate to get a all-inclusive essay, order it on our website: Ordercustompaper.com
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